Most people watching a commercial couldn't tell you what it looked like an hour later. They'll remember the line. The voice that said it. We need someone who can be that voice — a TV commercial voice-over artist working from home, recording spots for brands that are betting real money on thirty seconds landing right. Pay and Format $98,500 a year, fully remote. You set up wherever works for you, record on your own schedule around deadlines, and take on a mix of national and local campaigns. Applicants from the US, Canada, the UK, the EU, Australia, and India are welcome, as are those from other eligible regions. Skills That Matter Here Education: High school diploma or equivalent, minimum Experience: None required to apply, though 6 months of voice-over, acting, or comparable performance work is a plus A decent mic and somewhere quiet enough to record cleanly — a closet works if there's enough fabric to kill the echo Editing software good enough to export a clean file, nothing fancier needed Internet steady enough for uploads and the odd video call Actual vocal control — shifting tone on request, not just reading in a pleasant voice Can take a revision note and rework a line without getting prickly about it The Job, Day to Day Scripts rarely repeat themselves. A fast, upbeat 15-second spot for a consumer brand might sit next to something quieter for a nonprofit spot later the same week. Recording voice-over tracks for commercials, generally 15 to 60 seconds Reading a script and landing on the tone, pace, and energy a brand is actually after Hitting exact timing marks without sounding rushed Uploading takes and folding in feedback fast Joining the occasional call with clients to nail down direction Keeping the audio consistent out of a home setup rather than a studio booth What Separates the Ones Who Keep Getting Booked Clean diction gets you in the door. It's not what keeps clients coming back. That's usually something closer to instinct — sensing where a line needs half a second of silence, adjusting fast when a client changes their mind mid-session, and being reliable enough that people stop double-checking your deadlines. Useful If You've Got It Narration or dubbing experience, or prior commercial voice work specifically A national campaign somewhere on your résumé already A more developed home studio, if you've put money into one A demo reel that shows range instead of one tone repeated three times Where This Tends to Go Most artists on this team didn't start with credits. An okay mic, a closet doing double duty, and enough patience to record something rough and try again — that's usually the actual starting point. Early jobs run smaller: local ads, shorter scripts. Consistency and a memorable voice carry more weight than connections when the bigger campaigns start coming in. Some Structure Around the Remote Part Naukri Mitra built this listing knowing full well that recording alone in a closet all week gets isolating fast, so there's real effort put into keeping people connected — check-ins, peer feedback, workshops when someone wants one. Notes on submitted work usually land within a day or two. What You Actually Get Remote, with hours built around deadlines instead of a shift schedule Access to ongoing workshops on delivery and vocal technique Bigger, better-paying campaigns tend to go to whoever delivers consistently A peer network for feedback, so it's not just guessing in a vacuum One Version of a Regular Day Morning: a 20-second spot for a sports brand, energetic, wrapped in a few takes. Afternoon: something calmer entirely, for a wellness product that needs a slower read. Feedback lands quickly, a couple of tweaks get made, and the finished track goes out — sometimes airing nationally within the week. Who Fits Training helps less than most people assume walking in. What matters more: taking a flat line on a page and finding the read that makes it work, not getting defensive when notes come back, and staying a little curious about why the same sentence can land completely differently depending on where the stress falls. If people keep telling you that you've got a good voice, this is a reasonable place to find out what that's worth. How to Apply Send your application along with a short demo — two contrasting reads, one calm and one energetic- that tell us more than a résumé ever could. Shortlisted candidates get a quick conversation first, then a short recorded audition based on a sample commercial script.